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Monday, July 5, 2010

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Mi propia opinión sobre "Platonov" del Centro Dramático de Madrid


After watching the Argentine "Uncle Vanya" (the company of Daniel Veronese) from Madrid Drama Center, I was expecting this English "Platonov". And wrong ...

Moscow theater. AS Pushkin is of a fairly spacious stage and medium-sized room. When I was offered a second series, I am happy (selfishly) agreed, not thinking about my companion and satellites that are in English do not understand. The consequence of this ill-considered blunder became stiff neck, my friends. That, however, does not prevent them from receiving pleasure from the performance. At least they told me so.

Performance longest in nearly two and a half hours without intermission, was put on play by Anton Chekhov "Fatherless", which the writer has created, being 19 years old. Play it with his life in general is not intended, and found She was only 20 years after his death. This clearly tells us that the play is not one of the most popular of Chekhov's works. So it was interesting to watch on how to try to uncover the early Chekhov's philosophy venerable English actors.

I confess that I, like many others, that text is not known. Even in conversation with the chief administrator of Theatre. Pushkin (a man with a theatrical form), we found that if they read "fatherlessness" is solely in theater schools in the first courses. However, with Chekhov, I "know" and what it says to them, I wonder. And, perhaps most important to my surprise was the fact I saw a Russian Platonov in English. Yes, here and so strange. Somehow striking by the Spaniards managed to catch the most Chekhovian essence, something difficult to answer the words, but easy to recognize in ourselves.

Throughout the performance I could not find a place, jumping on a chair, changing the location. I wanted to kill Platonov (Pere Arquillué), prisodinivshis in this desire to Osip (Roberto San Martín). And all because I am tired to see that so often see in our reality and that never ceases to annoy me. Mikhail Platonov - school teacher, head of the family, husband and father. It would seem that currently live and be happy! Love your wife (Carmen Machi - one of the favorite actresses Almodovar), a son Kolya, himself - to develop professionally. An-not. Internal search perpetual - that is our inheritance Platonov. He is completely do not know what he wants from this unbearable life, and therefore tries everything: Anna Wynn (stunning beauty Mónica López) - a woman aged, the widow of Gen., which On the decline of its beauty is ready to do anything for love, and Sonia (Elisabet Gelabert) - his love of youth, which, among other things, 5 minutes as a married best friend Platonov Kolya (Gonzalo Cunill); and even Masha (María Pastor) - young, not experienced, still believe in fairness and honesty of people. In general, having tried all of these women, beautiful, bright, identity and, most importantly, who know what they want in this life, he broke the life of each and finally iznichtozhit their own.

difficult to be Russian. Have to drink a lot and a lot of thinking about the meaning of life. It's the strength is not for everyone. For vodka and reflections on the theme "Why do I exist, life itself passes, leaving only the diseased liver and a lot of unhappy people around. Internal destructive force Platonov is so high that destroyed not only his life, but also many others, is not guilty. Moreover, these life - close to Platonov. Or not? And again, you need to think, are close or not, whether or not, go ahead or backward, to kill or save, or destroy happiness. And he re-thought and thought, selfishly, only about how cool about yourself miserable about themselves and only. And next to him - a swarm of beautiful women, beautiful, intelligent, educated, naive, but most importantly - genuinely loving and in need of love. These women, in contrast by Platonov, know what they want in this life. They want it, Platonov, and do everything to achieve the goal, but Russian men are not so easy to give up.

In English tell us about ourselves. Strange, is not it? But also useful, like therapy. Maybe this will help draw the correct conclusions. At least we can hope for it. That we will be less than Platonic, and happier.

Other (opposite) opinion about the play.

Another opinion and reportage.

On the "Platonic" in Kommersant.

In MK

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