Centre National Ballet of Spain ... in my heart I have long waited for this meeting. I'm awfully afraid. Realizing the responsibility that lay on my shoulders, I stupidly began to panic. But when it was expected by me Friday, I stood quietly at the airport, holding a simple plate where the huge black letters was written "Mariinsky Theatre". Place first 14 people - equipo técnico del Ballet Nacional de España - technical team of the National Ballet of Spain. Yes, it is with them I had to spend the next week or even more. It is with these illuminators, installers, zvukovikami, costume and props. The next day in the number of 51 people arrived the basic structure of the troupe. It is with these young, breathing energy and a positive tansovschitsami tansovschikami and I had to communicate all of next week, and even with the musicians, directors, administrators, and many, many others ... Last week, I sent them away. Here fled back Vicente and Mercedes. I went to the house, something like squeezing my throat. Closing the door, and passed along the corridor, I stopped and burst into tears ... It is difficult to say why. I'm used to these 80 Spaniards, yes. One consolation - very soon I will see them again, even in Madrid. National Ballet of Spain, completing the Mariinsky Theatre Festival XVII Stars of the White Nights ". Jose Antonio, director of the ballet, has selected for the great Russian theater one of the most vivid and memorable performances. 14 and July 15 - "Elegy" and "Cafe de Chinitas" Elegy "- perhaps one of the most unpretentious art, José Antonio. Light, neprenuzhdennaya, she was the most correct the most positive right start touring NBI at the Mariinsky. She set up a spectator on the right way, showing only part of flamenco, skill and, of course, очень красиво смешивая его с классическим балетом.
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"Элегия" стала нежной прелюдией к разыгравшейся после антракта history poistene English, with all its extremes, with all its wild, uncombed beauty, so alive, so color, absurd, and sometimes on the verge of vulgarity, but never goes over the brink. This story did not become familiar and close to all viewers, but did not feel it was simply impossible. And the tumultuous applause award has been our common work. "Cafe de Chinitas impresses look indescribable richness of color, a surprisingly harmonious choreography, concatenate the precision of movement and expression of each dancer. _______________________________________________________________________________________
________________________________________________________________________________________ Music sapateo, which fought off the heels dancers perfectly complements the flamenco-jazz Chano Dominguez
________________________________________________________________________________________ and his team: Marina Albero:
_________________________________________________________________________________________ Mario Rossi:
__________________________________________________________________________________________ Guillermo MakGilya:
_________________________________________________________________________________________ Jordi Bonelo:
__________________________________________________________________________________________ would not have happened this spectacular action without participation by the beautiful Esperanza Fernandez Gypsy from Seville:
__________________________________________________________________________________________ There were other hitanos: Diego Losada, Enrique Bermudez, and Jonathan, and Samuel and the Maumee from Cadiz. And many more people who have invested their strength and soul into this spektal helped create it and to please their audience in over five years. __________________________________________________________________________________________ 17 and July 18 - "Douala" and "The Legend". It is difficult to talk about "Douala" besprestrastno, because it belongs to the choreography of Carlos Rodriguez and Angel Rojas, tansovschikam, whom I personally know that I put together "rescue" their show "Sangre Flamenca" in April of this year. But I'll try. 30 minutes I was afraid to close my eyes, exactly as many runs the show. I was afraid, because I might miss something very important. After all this work of art is important to every movement, every sound kanstanet each heel strike. A sense brought to ecstatic frenzy, when the soul fills a very bright and happy feeling, and everything you need - to share with anyone. ________________________________________________________________________________________
___________________________________________________________________________________________ Carmen Amaya - a great tansovschitsa. Jose Antonio - a great tansovschik, devoted to that which admired the bright, unforgettable, not just non-repeating Diva, a brand new, own, reading her image. "From this music, from the choreography ... I have goose bumps"
___________________________________________________________________________________________ hard to tell about what we have done all this week together. But believe me, it was one of the best weeks of my life!
